Mel Gibson

Mel Columcille Gerard Gibson AO born January 3, 1956 is an American actor, film director, producer, and screenwriter. He is best known for his action hero roles, particularly his breakout role as Max Rockatansky in the first three films of the post-apocalyptic action series Mad Max and as Martin Riggs in the buddy cop film series Lethal Weapon.

Born in Peekskill, New York, Gibson moved with his parents to Sydney, Australia, when he was 12 years old. He studied acting at the National Institute of Dramatic Art, where he starred opposite Judy Davis in a production of Romeo and Juliet. During the 1980s, he founded Icon Entertainment, a production company, which independent film director Atom Egoyan has called “an alternative to the studio system”. Director Peter Weir cast him as one of the leads in the World War I drama Gallipoli (1981), which earned Gibson a Best Actor Award from the Australian Film Institute, as well as a reputation as a serious, versatile actor.

In 1995, Gibson produced, directed, and starred in Braveheart, a historical epic, for which he won the Golden Globe Award for Best Director, the Academy Award for Best Director, and the Academy Award for Best Picture. He later directed and produced The Passion of the Christ, a biblical drama that was both financially successful and highly controversial. He received further critical notice for his directorial work of the action-adventure film Apocalypto (2006), which is set in Mesoamerica during the early 16th century.

After several legal issues and controversial statements leaked to the public, Gibson’s public image plummeted significantly, affecting his careers in acting and directing. His career began seeing resurgence with his performance in Jodie Foster’s The Beaver (2011), and his directorial comeback after an absence of 10 years, Hacksaw Ridge (2016), which won two Academy Awards and was nominated for another four, including Best Picture and Best Director for Gibson, his second nomination in the category.

Early life

Gibson was born in Peekskill, New York, the sixth of eleven children, and the second son of Hutton Gibson, a writer, and Irish-born Anne Patricia (née Reilly, died 1990). Gibson’s paternal grandmother was opera contralto Eva Mylott (1875–1920), who was born in Australia, to Irish parents, while his paternal grandfather, John Hutton Gibson, of English, Scottish and Welsh descent, was a millionaire tobacco businessman from the American South. One of Gibson’s younger brothers, Donal, is also an actor. Gibson stated his first name is derived from St Mel’s Cathedral, the fifth-century Irish saint, and founder of Gibson’s mother’s local native diocese, Ardagh. His second name, Colmcille, is also shared by an Irish saint, and is the name of the Aughnacliffe parish in County Longford where Gibson’s mother was born and raised. Because of his mother, Gibson retains dual Irish and American citizenship. Gibson is also an Australian permanent resident.

Gibson’s father was awarded US$145,000 in a work-related-injury lawsuit against the New York Central Railroad on February 14, 1968, and soon afterwards relocated his family to West Pymble, Sydney, Australia. Mel was twelve years old at the time. The move to his grandmother’s native Australia was for economic reasons, and his father’s expectation that the Australian Defence Forces would reject his eldest son for the draft during the Vietnam War.

Gibson was educated by members of the Congregation of Christian Brothers at St Leo’s Catholic College in Wahroonga, New South Wales, during his high school years.

Career

Overview

Gibson gained very favorable notices from film critics when he first entered the cinematic scene, as well as comparisons to several classic movie stars. In 1982, Vincent Canby wrote that “Mr. Gibson recalls the young Steve McQueen… I can’t define ‘star quality,’ but whatever it is, Mr. Gibson has it.” Gibson has also been likened to “a combination Clark Gable and Humphrey Bogart.” Gibson’s roles in the Mad Max series of films, Peter Weir’s Gallipoli (1981), and the Lethal Weapon series of films earned him the label of “action hero”. Later, Gibson expanded into a variety of acting projects including human dramas such as the Franco Zeffirelli film version of Hamlet (1990), and comedic roles such as those in Maverick (1994) and What Women Want (2000). He expanded beyond acting into directing and producing, with: The Man Without a Face (1993), Braveheart (1995), The Passion of the Christ (2004), and Apocalypto (2006). Jess Cagle of Time compared Gibson with Cary Grant, Sean Connery, and Robert Redford. Connery once suggested Gibson should play the next James Bond to Connery’s “M”. Gibson turned down the role, reportedly because he feared being typecast.

Stage

Gibson studied at the National Institute of Dramatic Art (NIDA) in Sydney. The students at NIDA were classically trained in the British-theater tradition rather than in preparation for screen acting. As students, Gibson and actress Judy Davis played the leads in Romeo and Juliet, and Gibson played the role of Queen Titania in an experimental production of A Midsummer Night’s Dream. After graduation in 1977, Gibson immediately began work on the filming of Mad Max, but continued to work as a stage actor, and joined the State Theatre Company of South Australia in Adelaide. Gibson’s theatrical credits include the character Estragon (opposite Geoffrey Rush) in Waiting for Godot, and the role of Biff Loman in a 1982 production of Death of a Salesman in Sydney. Gibson’s most recent theatrical performance, opposite Sissy Spacek, was the 1993 production of Love Letters by A. R. Gurney, in Telluride, Colorado.

Australian television and cinema

While a student at NIDA, Gibson made his film debut in the 1977 film Summer City, for which he was paid $400. Gibson then played the title character in the film Mad Max (1979). He was paid $15,000 for this role. Shortly after making the film he did a season with the South Australian Theatre Company. During this period he shared a $30 a week apartment in Adelaide with his future wife Robyn. After Mad Max, Gibson also played a mentally slow youth in the film Tim (also 1979). During this period Gibson also appeared in Australian television series guest roles. He appeared in serial The Sullivans as naval lieutenant Ray Henderson, in police procedural Cop Shop, and in the pilot episode of prison serial Punishment which was produced in 1980, screened 1981.

Gibson joined the cast of the World War II action film Attack Force Z, which was not released until 1982 when Gibson had become a bigger star. Director Peter Weir cast Gibson as one of the leads in the World War I drama Gallipoli (1981), which earned Gibson another Best Actor Award from the Australian Film Institute. Gallipoli also helped to earn Gibson the reputation of a serious, versatile actor and gained him the Hollywood agent Ed Limato. The sequel Mad Max 2 (1982) was his first hit in America, where it was released as The Road Warrior. Gibson again received positive notices for his role in Peter Weir’s romantic thriller The Year of Living Dangerously (1982). Following a one-year hiatus from film acting after the birth of his twin sons, Gibson took on the role of Fletcher Christian in The Bounty (1984). Gibson earned his first million dollar salary for playing Max Rockatansky for the third time, in Mad Max Beyond Thunderdome (1985).

Hollywood

Mel Gibson’s first American film was Mark Rydell’s drama The River (1984), in which he and Sissy Spacek played struggling Tennessee farmers. Gibson then starred in the Gothic romance Mrs. Soffel (also 1984) for Australian director Gillian Armstrong. He and Matthew Modine played condemned convict brothers opposite Diane Keaton as the warden’s wife who visits them to read the Bible. In 1985, after working on four films in a row, Gibson took almost two years off at his Australian cattle station. He returned to play the role of Martin Riggs in Lethal Weapon (1987), a film which helped to cement his status as a Hollywood “leading man”. Gibson’s next film was Robert Towne’s Tequila Sunrise (1988), followed by Lethal Weapon 2 (1989). Gibson next starred in three films back-to-back, all released in 1990: Bird on a Wire, Air America, and Hamlet.

During the 1990s, Gibson alternated between commercial and personal projects. His films in the first half of the decade were Forever Young, Lethal Weapon 3, Maverick, and Braveheart. He then starred in Ransom, Conspiracy Theory, Lethal Weapon 4, and Payback. Gibson also served as the speaking and singing voice of John Smith in Disney’s Pocahontas.

Gibson was paid a record salary of $25 million to appear in The Patriot (2000). It grossed over $100 million, as did two other films he featured in that year Chicken Run, and What Women Want. In 2002, Gibson appeared in the Vietnam War drama We Were Soldiers and M. Night Shyamalan’s Signs, which became the highest-grossing film of Gibson’s acting career. While promoting Signs, Gibson said that he no longer wanted to be a movie star and would only act in film again if the script were truly extraordinary. In 2010, Gibson appeared in Edge of Darkness, which marked his first starring role since 2002 and was an adaptation of the BBC miniseries, Edge of Darkness. In 2010, following an outburst at his ex-girlfriend that was made public, Gibson was dropped from the talent agency of William Morris Endeavor.

Gibson also played two villains: Voz in Machete Kills in 2013, opposite Danny Trejo, and Conrad Stonebanks in The Expendables 3 opposite Sylvester Stallone in 2014.

Gibson appeared in the lead role of director S. Craig Zahler’s police brutality-themed film Dragged Across Concrete, released in 2018. He then starred in The Professor and the Madman – he and the director both disowned the film.

Producer

After his success in Hollywood with the Lethal Weapon series, Gibson began to move into producing and directing. With partner Bruce Davey, Gibson formed Icon Productions in 1989 in order to make Hamlet. In addition to producing or co-producing many of Gibson’s own star vehicles, Icon has turned out many other small films, ranging from Immortal Beloved to An Ideal Husband. Gibson has taken supporting roles in some of these films, such as The Million Dollar Hotel and The Singing Detective. Gibson has also produced a number of projects for television, including a biopic on the Three Stooges and the 2008 PBS documentary Carrier. Icon has grown from being just a production company to also be an international distribution company and film exhibitor in Australia and New Zealand.

In June 2010, Gibson was in Brownsville, Texas, filming scenes for the film How I Spent My Summer Vacation, about a career criminal put in a tough prison in Mexico. In October 2010, it was reported that Gibson would have a small role in The Hangover Part II, but he was removed from the film after the cast and crew objected to his involvement.

Director

Gibson has credited his directors, particularly George Miller, Peter Weir, and Richard Donner, with teaching him the craft of filmmaking and influencing him as a director. According to Robert Downey Jr., studio executives encouraged Gibson in 1989 to try directing, an idea he rebuffed at the time. Gibson made his directorial debut in 1993 with The Man Without a Face, followed two years later by Braveheart, which earned Gibson the Academy Award for Best Director. Gibson had long planned to direct a remake of Fahrenheit 451, but in 1999 the project was indefinitely postponed because of scheduling conflicts. Gibson was scheduled to direct Robert Downey Jr. in a Los Angeles stage production of Hamlet in January 2001, but Downey’s drug relapse ended the project. In 2002, while promoting We Were Soldiers and Signs to the press, Gibson mentioned that he was planning to pare back on acting and return to directing. In September 2002, Gibson announced that he would direct a film called The Passion in Aramaic and Latin with no subtitles because he hoped to “transcend language barriers with filmic storytelling.” In 2004, he released the controversial film The Passion of the Christ, with subtitles, which he co-wrote, co-produced, and directed. The film went on to become the highest-grossing rated R film of all time with $370,782,930 in U.S. box office sales. Gibson directed a few episodes of Complete Savages for the ABC network. In 2006, he directed the action-adventure film Apocalypto, his second film to feature sparse dialogue in a non-English language. In November 2016, film critic Matt Zoller Seitz named Gibson as “the pre-eminent religious filmmaker in the United States”.

As a director, Gibson sometimes breaks the tension on set by having his actors perform serious scenes wearing a red clown nose. Helena Bonham Carter, who appeared alongside him in Hamlet, said of him, “He has a very basic sense of humor. It’s a bit lavatorial and not very sophisticated.” During the filming of Hamlet, Gibson would relieve pressure on the set by mooning the cast and crew, directly following a serious scene. Gibson inserted a single frame of himself smoking a cigarette into the 2005 teaser trailer of Apocalypto.

Year	Title	Box Office/Status	Notes
1993	The Man Without a Face	$24.8 mill.
1995	Braveheart	$75.6 mill.	Won an Oscar for Best Director
2004	The Passion of the Christ	$370.8 mill.
2006	Apocalypto	$50.9 mill.
2016	Hacksaw Ridge	$67.2 mill.

Future projects

Gibson has expressed an intention to direct a movie set during the Viking Age, starring Leonardo DiCaprio. Like The Passion of the Christ and Apocalypto, he wants this speculative film to feature dialogue in period languages. However, DiCaprio ultimately opted out of the project. In a 2012 interview, Gibson announced that the project, which he has titled Berserker, was still moving forward.

In 2011, it was announced that Gibson had commissioned a screenplay from Joe Eszterhas about the Maccabees. The film is to be distributed by Warner Brothers Pictures. The announcement generated significant controversy. In April 2012, Eszterhas wrote a letter to Gibson accusing him of sabotaging their film about the Maccabees because he “hates Jews”, and citing a series of private incidents during which he allegedly heard Gibson express extremely racist views. Although written as a private letter, it was subsequently published on a film industry website. In response, Gibson stated that he still intends to make the film, but will not base it upon Eszterhas’s script, which he called substandard. Eszterhas then claimed his son had secretly recorded a number of Gibson’s alleged “hateful rants”. In a 2012 interview, Gibson explained that the Maccabees film was still in preparation. He explained that he was drawn to the Biblical account of the uprising due to its similarity to the American Old West genre.

In June 2016, Gibson announced that he will reunite with Braveheart screenwriter Randall Wallace to make a sequel for The Passion of the Christ, focusing on the resurrection of Jesus. In early November 2016, Gibson revealed on The Late Show with Stephen Colbert that the sequel’s title will be The Passion of the Christ: Resurrection. He also stated that the project could “probably be three years off” because “it’s a big subject”.

In May 2018, it was announced that Gibson would be directing a WWII film titled Destroyer. Destroyer, similar to Hacksaw Ridge, will also deal with the Battle of Okinawa in the Pacific Theater, although from a different front. It will be based on the heroic story of the crew belonging to USS Laffey (DD-724), who defended their ship from 22 kamikaze attacks.

As of 2019, Gibson’s cancelled projects included a Richard Donner-helmed film with the working title Sam and George.

Film work

Gibson’s screen acting career began in 1976, with a role on the Australian television series The Sullivans. In his career, Gibson has appeared in 43 films, including the Mad Max and Lethal Weapon film series. In addition to acting, Gibson has also directed four films, including Braveheart and The Passion of the Christ; produced 11 films; and written two films. Films either starring or directed by Mel Gibson have earned over US$2.5 billion, in the United States alone. Gibson’s filmography includes television series, feature films, television films, and animated films.

Mad Max series

Gibson got his breakthrough role as the leather-clad post-apocalyptic survivor in George Miller’s Mad Max. The independently financed blockbuster helped to make him an international star. In the United States, the actors’ Australian accents were dubbed with American accents. The original film spawned two sequels: Mad Max 2 (known in North America as The Road Warrior), and Mad Max 3 (known in North America as Mad Max Beyond Thunderdome). A fourth movie, Mad Max: Fury Road (2015), was made with Tom Hardy in the title role.

Gallipoli

The 1981 Peter Weir film Gallipoli is about a group of young men from rural Western Australia who enlist in the Australian Imperial Force during World War I. They are sent to invade the Ottoman Empire, where they take part in the 1915 Gallipoli campaign. During the course of the movie, the young men slowly lose their innocence about the war. The climax of the movie centers on the catastrophic Australian offensive known as the Battle of the Nek.

Peter Weir cast Gibson in the role of Frank Dunne, an Irish-Australian drifter with an intense cynicism about fighting for the British Empire. Newcomer Mark Lee was recruited to play the idealistic Archy Hamilton after participating in a photo session for the director. Gibson later recalled:

“I’d auditioned for an earlier film and he told me right up front, ‘I’m not going to cast you for this part. You’re not old enough. But thanks for coming in, I just wanted to meet you.’ He told me he wanted me for Gallipoli a couple of years later because I wasn’t the archetypal Australian. He had Mark Lee, the angelic-looking, ideal Australian kid, and he wanted something of a modern sensibility. He thought the audience needed someone to relate to of their own time.”

Gibson later said that Gallipoli is, “Not really a war movie. That’s just the backdrop. It’s really the story of two young men.”

The critically acclaimed film helped to further launch Gibson’s career. He won the award for Best Actor in a Leading Role from the Australian Film Institute.

The Year of Living Dangerously

Gibson played a naïve but ambitious journalist opposite Sigourney Weaver and Linda Hunt in Peter Weir’s atmospheric 1982 film The Year of Living Dangerously, based on the novel of the same name by Christopher Koch. The movie was both a critical and commercial success, and the upcoming Australian actor was heavily marketed by MGM studio. In his review of the film, Vincent Canby of The New York Times wrote, “If this film doesn’t make an international star of Mr. Gibson, then nothing will. He possesses both the necessary talent and the screen presence.” According to John Hiscock of The Daily Telegraph, the film did, indeed, establish Gibson as an international talent.

Gibson was initially reluctant to accept the role of Guy Hamilton. “I didn’t necessarily see my role as a great challenge. My character was, like the film suggests, a puppet. And I went with that. It wasn’t some star thing, even though they advertised it that way.” Gibson saw some similarities between himself and the character of Guy. “He’s not a silver-tongued devil. He’s kind of immature and he has some rough edges and I guess you could say the same for me.”

The Bounty

Gibson followed the footsteps of Errol Flynn, Clark Gable, and Marlon Brando by starring as Fletcher Christian in a cinematic retelling of the Mutiny on the Bounty. The resulting 1984 film The Bounty is considered to be the most historically accurate version. However, Gibson has expressed a belief that the film’s revisionism did not go far enough. He has stated that his character should have been portrayed as the film’s antagonist. He has further praised Anthony Hopkins’s performance as Lieutenant William Bligh as the best aspect of the film.

Lethal Weapon series

Gibson moved into more mainstream commercial filmmaking with the popular action comedy series Lethal Weapon, which began with the 1987 original. In the films he played LAPD Detective Martin Riggs, a recently widowed Vietnam veteran with a death wish and a penchant for violence and gunplay. In the films, he is partnered with a reserved family man named Roger Murtaugh (Danny Glover) and starting with the second film, they’re joined by a hyperactive informant named Leo Getz (Joe Pesci). Following the success of Lethal Weapon, director Richard Donner and principal cast revisited the characters in three sequels, Lethal Weapon 2 (1989), Lethal Weapon 3 (1993), and Lethal Weapon 4 (1998). With its fourth installment, the Lethal Weapon series embodied “the quintessence of the buddy cop pic”.

The film series has since been rebooted with a television adaptation, currently airing on FOX.

Hamlet

Gibson made the unusual transition from action to classical drama, playing William Shakespeare’s Danish prince in Franco Zeffirelli’s Hamlet. Gibson was cast alongside experienced Shakespearean actors Ian Holm, Alan Bates, and Paul Scofield. He compared working with Scofield to being “thrown into the ring with Mike Tyson”. Scofield said of Gibson “Not the sort of actor you’d think would make an ideal Hamlet, but he had enormous integrity and intelligence.”

Braveheart

In 1995, Mel Gibson directed, produced, and starred in Braveheart, a biographical film of Sir William Wallace, a Scottish nationalist who was executed in 1305 for “high treason” against King Edward I of England. Gibson received two Academy Awards, Best Director and Best Picture, for his second directorial effort. In winning the Academy Award for Best Director, Gibson became only the sixth actor-turned-filmmaker to do so. Braveheart influenced the Scottish nationalist movement and helped to revive the film genre of the historical epic; the Battle of Stirling Bridge sequence is considered by critics to be one of the all-time best-directed battle scenes.

The film’s depiction of the Prince of Wales as an effeminate homosexual caused the film to be attacked by the Gay Alliance. The Gay Alliance was especially enraged by a scene in which King Edward I murders his son’s male lover by throwing him out of a castle window.

Gibson, who had previously been reported making several homophobic statements, now replied, “The fact that King Edward throws this character out a window has nothing to do with him being gay … He’s terrible to his son, to everybody.”

Gibson asserted that the reason that King Edward I kills his son’s lover is because the king is a “psychopath”. Gibson also expressed bewilderment that some filmgoers laughed at this murder:

“We cut a scene out, unfortunately … where you really got to know that character (Edward II) and to understand his plight and his pain… But it just stopped the film in the first act so much that you thought, ‘When’s this story going to start?'”

The Passion of the Christ

Gibson directed, produced, co-wrote, and funded the film The Passion of the Christ (2004), which chronicled the passion and death of Jesus (Jim Caviezel). The film was shot exclusively in Aramaic, Latin, and Hebrew. Although Gibson originally intended to release the film without subtitles; he eventually relented for theatrical exhibition. The film sparked divergent reviews, ranging from high praise to criticism of the violence.

The Anti-Defamation League accused Gibson of anti-semitism over the film’s unflattering depiction of Caiaphas and the Sanhedrin.

In The Nation, reviewer Katha Pollitt said, “Gibson has violated just about every precept of the (United States Conference of Catholic Bishops) conference’s own 1988 ‘Criteria’ for the portrayal of Jews in dramatizations of the Passion (no bloodthirsty Jews, no rabble, no use of Scripture that reinforces negative stereotypes of Jews, etc.) … The priests have big noses and gnarly faces, lumpish bodies, yellow teeth; Herod Antipas and his court are a bizarre collection of oily-haired, epicene perverts. The ‘good Jews’ look like Italian movie stars (Magdalene actually is an Italian movie star, the lovely Monica Bellucci); Mary, who would have been around 50 and appeared 70, could pass for a ripe 35.”

Among those to defend Gibson were Orthodox Jewish rabbi Daniel Lapin and radio personality Michael Medved. Referring to ADL National Director Abraham Foxman, Rabbi Lapin said that by calling The Passion of the Christ anti-semitic, “what he is saying is that the only way (for Christians) to escape the wrath of Foxman is to repudiate (their own) faith.”

In an interview with The Globe and Mail, Gibson stated, “If anyone has distorted Gospel passages to rationalize cruelty towards Jews or anyone, it’s in defiance of repeated Papal condemnation. The Papacy has condemned racism in any form… Jesus died for the sins of all times, and I’ll be the first on the line for culpability”.

Eventually, the continued media attacks began to anger Gibson. After his father’s Holocaust denial was sharply criticized in print by The New York Times writer Frank Rich, Gibson retorted, “I want to kill him. I want his intestines on a stick…. I want to kill his dog.”

Gibson’s Traditionalist Catholic upbringing was also the target of criticism. In a 2006 interview with Diane Sawyer, Gibson stated that he feels that his “human rights were violated” by the often vitriolic attacks on his person, his family, and his religious beliefs which were sparked by The Passion.

The film grossed US$611,899,420 worldwide and $370,782,930 in the U.S. alone, surpassing any motion picture starring Gibson. In U.S. box offices, it became the seventh-highest-grossing (at the time) film in history and the highest-grossing R-rated film of all time. The film was nominated for three Academy Awards and won the People’s Choice Award for Favorite Dramatic Motion Picture.

Apocalypto

Gibson received further critical acclaim for his directing of the 2006 action-adventure film Apocalypto. Gibson’s fourth directorial effort is set in Mesoamerica during the early 16th century against the turbulent end times of a Maya civilization. The sparse dialogue is spoken in the Yucatec Maya language by a cast of Native American descent.

Gibson himself has stated that the film is an attempt at making a deliberate point about great civilizations and what causes them to decline and disintegrate. Gibson said, “People think that modern man is so enlightened, but we’re susceptible to the same forces—and we are also capable of the same heroism and transcendence.” This theme is further explored by a quote from Will Durant, which is superimposed at the very beginning of the film: “A great civilization is not conquered from without until it has destroyed itself from within.”

The Beaver